And as beautifully does it capture the ambiguous subtextual theme, it also gives away the final result at a certain point. Which I think is the best for I love these sorts of narration. And it is verbally dysfunctional just as Noah Baumbach's world. In the sense that the characters call out to their fate and claim their destiny as a part of pain and endurance. Fences is a bit Shakespeare-ean and a bit verbally challenged. For these are the scenes where the truth is spoken. These are the scenes where the film comes alive. He makes things mobile, he keeps characters apart as much as he can, he novelizes the idea, he keeps montage sequences to make time flow. Adapting the infamous play for the screen, Washington tries his best to make it not seem like a play. And boy what fun it is to see them give what they would like to. It rattles the Academy members and announces in their ears. Almost as if it was created to showcase their talents to the best of their ability.

The film is crafted around those performances. And the characters are respected more than the plot and the performance given the priority. And if done properly, just as he does, the film is going to be emotionally fluent in its vocab. Fences Denzel Washington, an actor-turned-director, directs his films just as any other actor would, should. And if done properly, just as he does, the film is going to be Fortunately, Washington has monstrous performances in his pocket, he does not and will not take them for granted. Fencesĭenzel Washington, an actor-turned-director, directs his films just as any other actor would, should. Fortunately, Washington has monstrous performances in his pocket, he does not and will not take them for granted.

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